An Autumn Afternoon

An Autumn Afternoon (Japanese: 秋刀魚の味, Hepburn: Sanma no Aji, “The Taste of Sanma”) is a 1962 Japanese drama film directed by Yasujirō Ozu for Shochiku Films. Sakuma’s former pupils resolve to help him out with a present of cash, and Hirayama goes back to the restaurant at hand it over. It was proven as part of the Cannes Classics section of the 2013 Cannes Movie Festival. Hirayama and Kōichi conclude that she just isn’t upset, but a bit later Kazuo comes in and asks why Michiko is crying. The ages of the youngsters and what they respectively remember about their mother means that she died just earlier than the top of the warfare, perhaps within the bombing of Tokyo in 1944-45. Since his marriage, Kōichi has moved out to stay along with his spouse in a small flat, leaving Hirayama and Kazuo to be regarded after by Michiko. Included with this release is an ordinary definition presentation of A Hen within the Wind. He plans to use the additional cash to buy a set of second-hand golf clubs from his colleague Miura (Teruo Yoshida). Hirayama and 5 of his classmates from center-school, Kawai (Nobuo Nakamura), Horie (Ryūji Kita), Sugai (Tsūzai Sugawara), Watanabe (Masao Oda) and Nakanishi, hold common reunions at a restaurant known as Wakamatsu (“Younger Pine”), which is owned by Sugai. Hirayama later asks Michiko if she is willing to go for a matchmaking session with a candidate Kawai has selected. And the taste of sake becomes bitter. Hirayama notices that the bar-proprietor Kaoru (Kyōko Kishida) resembles his lifeless spouse. Kōichi and Hirayama break the information to Michiko. After the marriage, Hirayama goes to a bar with mates while Kōichi, Akiko and Kazuo look forward to him at house. The “Gourd” tells his former pupils that it’s because he selfishly kept her at residence to look after him that his daughter is now condemned to a lonely life as a spinster. Their previous teacher of Chinese language classics, Sakuma (Eijirō Tōno), nicknamed Hyōtan (“the Gourd”), attends one of the reunions. Through the use of this site, you conform to the Terms of Use and Privacy Policy. Troubled by this, Hirayama recognises his personal selfishness in maintaining Michiko at home to look after him, and decides to arrange a marriage for her. The Japanese title, The Style of Sanma, refers to the sanma or Pacific saury fish. The French title of the movie translates to The Taste of Sake. In 1962 Tokyo, Shūhei Hirayama (Chishū Ryū) is an aging widower with a 32-year-previous married son, Kōichi (Keiji Sada), and two unmarried children, 24-12 months-outdated daughter Michiko (Shima Iwashita) and 21-yr-outdated son Kazuo (Shin’ichirō Mikami). They reminisce about old instances and banter with one another. She has clearly agreed to marry, however the bridegroom, and the wedding ceremony, are never shown. Later, Hirayama visits the bar alone and Kaoru puts the record on again. Finally, having made her level, she relents. When he returns, drunk, Kōichi and Akiko go away. Donald Richie. “An Autumn Afternoon: Ozu’s Diaries”. It stars Ozu common Chishū Ryū as the patriarch of the Hirayama family who ultimately realises that he has a duty to arrange a marriage for his daughter Michiko (Shima Iwashita). In the ultimate scene, a melancholy Hirayama drunkenly sings snatches of the Warship March. Kazuo goes to mattress, leaving Hirayama by himself. He takes Hirayama to his favourite bar. Two tipsy clients begin to parody the type of morale-boosting radio propaganda bulletins that may have been launched by this tune in the course of the warfare. As a seasonal meals, sanma is used in Japanese tradition to symbolize autumn. This page was last edited on four November 2024, at 14:30 (UTC). We study from a comment of his that Hirayama went from faculty to the Imperial Japanese Naval Academy, so would have been a profession naval officer as much as 1945. Sakuma has an excessive amount of to drink, and when Kawai and Hirayama take him house, they discover that he has fallen on laborious occasions and is working an inexpensive noodle restaurant in a working-class area. Michiko doesn’t react but retires to her room. Ebert, Roger (Might 31, 2011). “An Autumn Afternoon Film Assessment (1962)”. Chicago Solar-Times. JP’s Field-Workplace (in French). An Autumn Afternoon is extensively thought to be a masterpiece. At this time, An Autumn Afternoon is considered by many to be certainly one of Ozu’s best works. His spouse Akiko (Mariko Okada) doesn’t want him to take action, and says that if he’s going to indulge himself like this, she’s going to spend money on an costly white leather-based handbag. Kōichi borrows 50,000 yen from his father, ostensibly to buy a refrigerator, however this is greater than the refrigerator will cost. Sadly, Miura is already engaged. They meet his center-aged daughter Tomoko (Haruko Sugimura), who missed the prospect to marry when young and is now too old. Kaoru puts on a recording of the patriotic tune Warship March and Sakamoto marches up and down, holding a salute and singing meaningless syllables in time to the music, in a mocking model of army drill. While he is there, Yoshitarō Sakamoto (Daisuke Katō), the proprietor of a small local automobile-repair shop, comes in for a bowl of noodles and recognises Hirayama because the captain of the ship wherein he served as a Petty Officer throughout the war. In one of many ellipses Ozu is well-known for, the movie next reveals us Michiko being dressed in a traditional wedding kimono and head-costume. For instance, Horie is teased about having a new younger spouse and asked whether he’s taking pills to keep up his virility. His last words in the film are “Alone, eh?”. He asks Kōichi to find out if Miura, whom Michiko is fond of, is fascinated. Wikipedia® is a registered trademark of the Wikimedia Basis, Inc., a non-revenue organization. Text is accessible below the Artistic Commons Attribution-ShareAlike 4.Zero License; further phrases may apply.

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