Eugenia Louise Butler (née Jefferson; 1922 – December 21, 2001) was an American artwork vendor and collector. In 1967, Butler partnered with Riko Mizuno, the gallerist operating Gallery 669, for a single yr. Their daughter, Eugenia P. Butler, went on to develop into a contemporary artist. Wikipedia® is a registered trademark of the Wikimedia Basis, Inc., a non-profit group. It was around this time that she started an affair with fellow artist Paul Cotton and left her household to move with him to San Francisco. After World Warfare II, the pair moved to South Rimpau avenue and had eight youngsters. This page was last edited on 19 July 2024, at 04:Forty three (UTC). An avid collector, Butler traveled to galleries throughout Europe. The two offered groundbreaking exhibitions corresponding to Joseph Kosuth’s first solo present within the United States, “Nothing” and the work of Richard Jackson. Text is offered below the Inventive Commons Attribution-ShareAlike 4.Zero License; additional terms could apply. The gallery opened with Allen Rupperberg’s first solo show the place he offered “Location Piece”. Later that very same yr James Lee Bryars, a conceptual and performance artist, built a block wall separating Butler’s workplace from the gallery. In 1966 Butler grew to become the Los Angeles consultant for Galleria del Deposito. The health department’s makes an attempt to shut the exhibition down were thwarted by Butler’s husband on the grounds of inventive merit. Butler ran the Eugenia Butler Gallery on La Cienega from 1968 to 1971. Her gallery confirmed the work of conceptual artists, together with John Baldessari, James Lee Byars, Douglas Huebler, and her daughter, Eugenia P. Butler. She was an early champion of conceptual artwork, developing the hallmarks of house, interaction and efficiency. Stromberg, Matt (2015-01-07). “Art of The Possible: A Reappraisal Of The Eugenia Butler Gallery”. The younger Butler’s work was shown in Butler’s gallery. Born Eugenia Louise Jefferson in Bakersfield, California in 1922, Butler grew up in Los Angeles. It was there she attempted to impersonate her daughter Eugenia P. Butler and go off her work as her personal. In 1963, she turned the American representative of Galleria Del Deposito, which featured work by European artists who made useful art objects, akin to trays or jewels. Probably the most controversial piece to come back out of the Eugenia Butler Gallery was Swiss artist Dieter Roth’s exhibition, “Staple Cheese (A Race)” (1970). Roth filled 37 suitcases with cheese and left them within the gallery during summer time. Butler was the primary person to sell one among Baldessari’s pictures. She attended Scripps Faculty and served as a grasp sergeant in the Marines during World Battle II where she met her future husband James G. Butler, a lawyer and fighter pilot. Butler’s foremost focus for her gallery was on conceptual artwork consisting of dematerialized and non-object oriented work. Plagued by mental illness and personal turmoil, Butler never opened one other gallery. Butler opened her namesake gallery in 1968 after parting ways with Riko Mizuno. Through the use of this site, you agree to the Terms of Use and Privateness Coverage. It was at the moment that Butler was launched to Galleria del Deposito, a Genoa based art collective of which Lucio Fontana, Victor Vasarely, and Eugenio Carmi were a part. After the closing of her gallery in 1971, Butler was diagnosed with breast most cancers and acquired a mastectomy. At Documenta, an artwork exhibition in Kassel, Germany in 1972, Butler arrived nude riding a white horse.