Joyce Beetuan Koh
Joyce Beetuan Koh (born June 9, 1968) is a Singaporean composer, sound artist, and educator.
Koh is the Associate Dean of the varsity of Interdisciplinary Arts on the Nanyang Academy of Positive Arts.[1]
Career
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Koh obtained her Bachelor of Music and Master of Music levels in composition at King’s College London beneath the tutorship of David Lumsdaine. She also studied at the College of York with Nicola Lefanu where she acquired her Ph.D. in composition in 1997.
In 1995, Koh received a Nadia Boulanger scholarship, working alongside composer Brian Ferneyhough. Later, she composed as a collaborator with Tristan Murail in 1996 and with Hans Tutschku and Mikhail Malt from 1997 to 1998.[2]
Music Schooling
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In 2004, Kho was provided a fellowship in residence at a German music school, Herrenhaus Edenkoben. Koh contributed to the founding of the Composers’ Society of Singapore. Served as president from 2013 to 2016.[5] [3] Koh returned to Singapore in 2007 and joined Faculty of the Arts, Singapore as a founding school member.
Awards
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Koh was awarded the Young Artist Award by the National Arts Council (Singapore) in 1998.[6]
Inventive work
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Collaborations
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Koh’s music has been performed by BBC Symphony Orchestra, Hungarian Radio Budapest Symphony Orchestra, Stavanger Symphony Orchestra, Singapore Symphony Orchestra, Résonance Contemporaine, The Track Firm of Australia, Nieuw Ensemble, Take 5, and Reconsil, in addition to by soloists together with Prodromos Symeonidis, Frode Haltli, and Thalia Myers.
Her compositions for dance embrace a sequence of works with The Arts Fission Company, similar to In the Name of Crimson (2015), a site-specific work for the inauguration festival of the National Gallery Singapore. Koh has created multimedia performances Away We Go (2015) with Etienne Turpin, commissioned by NTU Centre of Contemporary Artwork, and On the String (2010), commissioned by the Singapore Arts Festival.
She co-created the interactive sound installation The Canopy (2010-13), offered on the World Stage Design Festival (UK, 2013) and the Worldwide Computer Music Convention (UK, 2011). Koh collaborated with theatre director Steve Dixon on adapting T. S. Eliot’s The Waste Land in a one-actor piece with video and electroacoustic sound.[7]
Chosen compositions
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Orchestra
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TAI (1997)
Granite Harbour (1995)
Chamber music
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Fingerprints for octet (2015)
Piano Peals (2006)
Edenkobener Beethoven Bagatellen (2005)
les pierres magenta for piano and ensemble (2002)
la pierre magenta for piano (2001)
Works for stage and dance
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Within the name of crimson (2015)
The Waste Land (2013)
Locust Wrath (2013)
On the String (2010)
sixteen Wege das Nein zu vermeiden (2005)
Multimedia
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Form of a City (2015)
Hearing Strains (2013)
Discography
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Edenkobener Beethoven Bagatellen (2005, with BeeperDesign)
Piano Peals (2004, with ABRSM)
References
[edit]
^ “Dr. Joyce Koh”. Nanyang Academy of Wonderful Arts. Retrieved 20 October 2024.
^ “Joyce Beetuan Koh“. Biography. jbtkoh.web. Retrieved 2017-06-08.
^ “Ehemalige Stipendiaten – Herrenhaus Edenkoben”. herrenhaus-edenkoben.de. Retrieved 2024-10-20.
^ “Homages Programme” (PDF). Yong Siew Toh Conservatory of Music. Retrieved 20 October 2024.
^ “Joyce Koh Bee Tuan”. Member webpage. Composer Society of Singapore. Retrieved 2017-06-08.[permanent useless link]
^ “Younger Artist award recipients”. Nationwide Archives of Singapore. Retrieved 20 October 2024.
^ Koh JBT & Dixon S (2014), “The Music of T.S. Eliot’s Poetry: Integrating textual content, stay efficiency, sound design and video in a multimedia theatre manufacturing of ‘The Waste Land'”. Retrieved 2017-06-09., Canadian Electroacoustic Group (CEC), eContact 16.2
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Retrieved from “https://en.wikipedia.org/w/index.php?title=Joyce_Beetuan_Koh&oldid=1298149777”
1968 births
Residing individuals
Singaporean musicians
Singaporean composers
Dance in Singapore
Alumni of King’s Faculty London
Alumni of the College of York
Singaporean women artists
Singaporean women composers
Ladies in electronic music
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This web page was last edited on 30 June 2025, at 19:54 (UTC).
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